Dom Perignon

This original piece was commissioned and is part of the collection of the Whiteblood Foundation.https://whiteblood.orghttps://instagram.com/whiteblood_foundation?igshid=NTc4MTIwNjQ2YQ==Created by a collective of minds, already integrated into the American, Arab, and, of course, Italian artistic fabric.Whiteblood Foundation creates unique artworks entirely handmade, with a well-defined and updated artistic philosophy in every expression.
The WB collective has metabolized, generated, and approached different artistic inspirations, resulting in its own line, also in relation to the approach to the Art market and its typical dynamics. It is well known the saying by Hirst: "For my generation, nowadays, art and business go hand in hand."
The collective creates only on commission to enhance and almost physically implement the role of the observer and the client in their artistic work. The exhibition space aims to give shape to the inspirations and profound intentions that move the collective, but the artworks themselves are not for sale. The collective shies away from the idea of mass production of art unless it reflects a specific artistic intent.
Considering that, for the collective, the artwork is encompassed by the ability to compress the characteristics of a time and place into a creative algorithm, the notions of space and time no longer make sense at this level. We find ourselves in a dimensionless and timeless world (consider the work of American physicist John Wheeler, the insights of philosopher Spinoza, or the implications of the Copenhagen interpretation). It is a multidimensional reality governed by an unknowable implicit order that unfolds and manifests itself in the explicit order of our four-dimensional universe.
The world is "an indefinite quantum cloud permeated by waves of probability or wave functions. Occasionally, one of these waves collapses," and then, and only then, 'something' happens: a fragment of reality, the "fragile reality," emerges, according to the collective's definition.
Objective reality, as we conceive it, does not exist, and it is only through our observation that the collapse occurs, thus creating a subjective reality. The client's observation, therefore, generates that "collapse" for the collective and determines the object of Art in an objective and fragile reality.
The triad of Duchamp, Warhol, and Beuys emerges prominently, deliberately producing objects that do not exhibit aesthetic properties like conventionally understood artworks. There is an attempt to break down the distinction between art objects and everyday objects.
But it doesn't stop there.
The stock title, as an artistic work, carries other philosophical, sociological, and communicative intentions in this specific historical moment, where the advent of the metaverse and the loss of materiality in wealth bring a general sense of confusion and detachment from the tangible and the real.
The artwork:Dimensions: 100 cm x 80 cm (height)Material: Recycled carbon from the aeronautics industryTechnique: Handcrafted, hand-polished, oil on canvas, intense, curved, and bulging painting, as if "entering" the room.
Shipped with the original packaging from the Whiteblood Foundation.